When the Credits Roll, the Journey Begins
A film release and a travel destination are usually treated as two separate worlds. We think they belong together, and working hand in hand with distributors is the fastest way to prove it.
The moment a release becomes an invitation

Every distributor spends weeks building excitement around a release date, and then that excitement evaporates the day after opening weekend. That is a waste, because the audience leaving the cinema has just spent two hours falling for a place. Take La copia perfecta, the Spanish release of L’Affaire Bojarski that Adso Films brought to cinemas on 10 July: much of it was shot in and around Lyon, and viewers walked out already half in love with the city. So instead of letting that feeling fade, we tied it to something real, offering one lucky viewer a trip to Lyon to stand where the film was made. A release date stopped being an end point and became the start of a journey.
Why distributors and destinations belong at the same table
Distributors have attention, and destinations have something to do with it, which is exactly why the two should be talking. A studio can put a location in front of millions of people, but it has no way to turn that screen time into a visit, and a tourism board has the visit but no such audience. When you put them in the same room, each side suddenly has what the other was missing. For the Lyon campaign we sat down with Adso and The Travelling Set and built a giveaway around the release: flights, two nights, and a digital guide to the real filming locations. Nobody had to invent a new audience, because the film had already gathered one.
Turning any shoot into a reason to visit

Most towns already have films in their past and simply do nothing with them, and that is the gap we set out to close. Our toolkit lets a city take a location that appeared on screen and turn it into a route its visitors can actually follow, cleanly and without legal headaches. It works whether the shoot was last month or thirty years ago, because a good story does not expire. That is the conversation I have been having all spring with culture officers and tourism VPs across France, and it lands every time. A film crew leaves your town with the footage; the point is to make sure it also leaves you something to build on.

